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Saturday, February 20, 2016

Character Study: Olivia Vangley

(c) Stanislav Istratov

Olivia Vangley
Born: 1692
Hair: Long/Straight/Red
Eyes: Bluish-Green

The following is a short scene that I wrote to understand more about Olivia Vangley's delectable character, which is included in the forthcoming novel Enura. A revised version of this scene may or may not make it into the novel. If not, it will be added as bonus content. Nevertheless, it is a fun, little scene. Enjoy!

Wager

“So who is this man? Seems like an oaf.” Maven twisted her black, curly hair with one finger and spied Lawson through a hole in the painting.

“A vampire hunter,” said Olivia. “The man enlisted to protect us. Ironic, is it not?”

“Seems stiff as a board. And his personality?”

“Just as stiff. But there is something about him: A quiet confidence—a persistence despite the odds. He may be of few words, but he does not choose them wildly like an oaf would.”

“Fair enough.” Maven looked closer and tried not to laugh. “So how is this mortal to help? He looks little stronger than a dog, and word on the street implies that his weapons have been confiscated. What is Vissorouy to think?”

“His weapon is his mind, Maven. He is a tactician, a strategist who moves the pieces across the board, not the oaf who bludgeons himself on the battlefield. Quiet men…ever so reserved, especially those guarding secrets. You should turn him. Make him yours for the night and all eternity.” Olivia prodded Maven.

“Reckless wench! Is that a heartbeat I hear between your legs?” Maven nudged her back.

“That died long ago, as you well know. So how about it, then? He is not of Vissorouy. You can do with him as you please after his utility has been served, however slight that may be.”

“Turning a man to our end is not always successful,” Maven cautioned. “Few survive the transformation. That is why our numbers are what they are, fewer than what humans have been led to believe. But alas! Our dashing hero looks frail. I do not think he will survive the journey.”

“Is it a wager then?” said Olivia. “What would be fair play if I am right and you are wrong?”

“You may throw coins at me, but it does not last the same.”

“What then? Shall we play for my husband’s ornate egg collection? Or silk gowns from India?”

“Such fleeting things? Break an egg, particularly over your husband’s head, and you’ll forget about our wager,” said Maven. “And as the decades pass by, silk wears down. Something wagered must be something that stands the test of time, or at least, improves with it.”

“Do I hear an idea coming on?”

“Why not play for Lawson’s hand?”

“That will not work. I am a married woman, and this one is quite young.” Olivia took a look as well. “Mid thirties I’d imagine, though the lines on his face suggest more.”

“No, I mean his hand.” Maven tugged her away.

“His physical hand? Do you mean to separate it from him?”

“Why such a face? He has another.” Maven feigned embarrassment of her scandalous words.

“Wretched soul! Tell me more…” Olivia mock slapped her.

“Do you remember the old manor?”

“There have been many, and not all of them faery tale dwellings like this.” Olivia gestured.

“I mean the unhappiest fossil you’ve left behind. You know, the one on the hill? Your husband used to reduce humans to wine. Blood and broken bodies enriched the soil, which in turn, fed the grapes. Those sweet, heavenly, blood-filled grapes—a sinful delight for lonely vampire brides like us. Why not start a new batch with that fool’s hand as a catalyst? Of limited issue, of course—one bottle only! Your husband would not have to know, and surely you have darker secrets! You could pot it in my crypt using soil from the manor. And if you get a taste, you could take more from him—plant him in the field to his neck and harvest many more. Or just hide him in the cellar for the occasional snack.”

“Maven, we cannot revert to our old ways. I’d like to say that to some degree we have evolved, though it is fun to fantasize in jest. But in this age, if Lawson were my slave, I’d task him to write for me all day long.”

“As a writer of books? Like 1001 Arabian Nights, but with vampires?”

“Nothing of the sort,” said Olivia. “You’ve heard of the archives below. I’d have him chronicle the bloodlines of our families. I would dictate, he would scribe, my ever faithful servant. The tales that have been passed down through my family, and those I have experienced myself, have yet to find their way to the page. He would be my instrument! I suppose he would need to be a vampire in the end. Writing for 20 or 30 years would be insufficient, especially if he were any good at it. He would need at least a hundred to capture all of my thoughts. Why cut him short? And if my lord and husband chipped in, he could be writing for another thousand. I admit, training new scribes every quarter century is not appealing. So a vampire scribe he would be…”

“Still…nothing revitalizes the spirit like a good glass of vintage.” Maven looked aside for a moment. “Very well, then. Do we have a wager?”

“Indeed.”

The two shook hands.

“And if he fancies you over me, the honor of breaking teeth on him shall fall to your bedside,” said Maven.

“And if he fancies you?”

“So much the worse for him. Of course, we could always tie him to a chair and bleed him until he begs for immortality.” “More fantasies! Considering what has been taken, I doubt he would ever beg for such a thing.”

“Well, I do not care about lineage, or any book for that matter. Might we just throw him in your oven and be done with him? The world loses another vampire hunter and life miraculously goes on.”

“You are horrible,” Olivia giggled. “It would be fun, no less, especially listening to you explain to your husband why your teeth are attached to that brute’s neck. Very well. There is business to attend to in the kitchen, and eventually I’ll need to sharpen my axe.” “Goodbye, love.” Maven kissed her on the cheek.

“Bye, sweet nightmare.” Olivia kissed her back.

Wednesday, February 17, 2016

On the Bloodstained Shore of Dreams is Now Available!

It's been crazy the past few days, but I just wanted to let you know that On the Bloodstained Shore of Dreams (Lord Vangley's Nightmare) is now available from your favorite vendor for just 99 cents. It's a short story (approximately 2,200 words) with bonus commentary that I'll likely extend at a later date. I'm also planning on giving it away for free to my Patreon supporters once I'm all set up. If you're curious about this little tale and would like to support me, I'd certainly appreciate it. More great content is on the way soon!

Available now!

On the Bloodstained Shore of Dreams
(Lord Vangley's Nightmare)

by S.E. Gordon

Restless in his sleep, an elder vampire visits the sandy shore of his dreams. When the sky opens, and his mind wanders past the limits of immortality, he finds her body pressed up against his. “Let me taste of you, oh beautiful. Spare a few drops for me," he whispers in her ear.

Note: This story features Lord Vangley of Vissorouy from the forthcoming thriller Enura. It is meant to explain his dark dreams and mental state early in the novel.

EXCERPT

If the sky bled, it would look as thus: a jagged streak extending from horizon to horizon against the pillowy, flesh-hued clouds that move gently, as if breathing.

I gaze into the crimson wound, my back against the sandy shore. Blood trickles out in waves, swept up by the wind, widening the gash to my delight. “Let me taste of you, oh beautiful. Spare a few drops for me,” I whisper to it.

I lie there, my mouth open. Like all things, I am met with bitter disappointment. She does not wish to sprinkle me with her essence, leaving me to die on the shore.

Yet how can any of this be? For I am a vampire, and the sun, my scourge. Bathe too long in it, and the flesh, once strong and true, fizzles to ash.

Fleeting as they are, there are moments when a servant of the underworld may stand unscathed in the sun. My first venture into the light came during an eclipse. Short though it was; ten minutes, if I were lucky. But ten minutes can spill an ocean of blood. A small town decimated in that short passage of time, such as it was.

But this...this eternal bleeding of the heavens speaks of something new. My skin burns not, the sun neatly tucked away. Might it last a bit longer this time than those ten frightful minutes? Or could this be for all time?

The reign of the vampire will one day come, the mortals relegated to the shadows as it should be. Is today such a day? O blood red sky, answer me...


Available from these fine retailers:

Amazon
Apple
Barnes and Noble
Kobo
Google
Smashwords
Tradebit
Inktera

Sunday, February 14, 2016

Plodding Along

Early this morning I made the decision to do something with On the Blood-Stained Shore of Dreams, a short story dealing with Lord Vangley of Vissorouy's nightmare. The heavy lifting is now done, and I only need to read it over a few more times before it's ready for publication.

I love that it's done now, and I can move onto something else in the Vampire Hunters/Enura universe. A promise has been kept, and I must do the same with my overall vision. Questions need answers, and the deeper I go into the hole, the closer I get to delivering an authentic reader experience.

I wish to shed all assumptions. Everything and everyone has a story in Vissorouy. What is Olivia Vangley's? Or Lawson Parker's? Vissorouy's? As well as I think I know them, it doesn't take much to discover that they are very much strangers to me. The answers are there if I'm willing to look.

Writing is a long talent, and in that spirit, I feel that Enura is a long revelation. The characters and their surroundings must be understood deeply for any of this to work. And that's just it--it's only work. Once I've cleared that mental hurdle, all I need to do is open my mind and let it all out.

Tomorrow I will deliver the first of many nightmares.

Enura's reign begins...

Saturday, February 13, 2016

The Horror Trickling Through

The sky is red
Yet I see blue
Like veins
Blackened over

Horror trickles
A river of fright
Will I see the monster?
See him I might


—From Transient Thorns by G.R. Hollow

An Early Peek at Enura: Lawson's Letter to Cailan

© Konstantin Kirillov
Letter from Lawson Parker to Cailan Dant
(returned unopened)

You must not come for me. You must not think of my extended absence and the questions that each day offers. I am here in Vissorouy, for better or worse, and if I meet my demise, it will be in search of Elena and dispelling the darkness cast over your family.

There is no sense in losing two daughters. Yes, I think of you as my own! One of us must survive to protect your mother, and you are more clever than you think. She is in good hands, regardless of the dark clouds rolling in.

I am not dismissive of your concerns, nor those of the other hunters. It is likely a trap, though I have stumbled into more than I care to say. I am told that Lord Vangley is a man of his word, and if we cannot find common ground, he will let me leave without reprisal. You are not to worry.

I have not forgotten who I am or what has befallen my family. Vampires are not to be trusted. I taught you this, and Delilah, wicked as she is beautiful, illustrates this well. We are fortunate that you are still with us. Take in the ocean breeze for a few days longer.

Be not reckless, Calamity. If I am to return, then return to you I shall. You must do one thing and one thing only: wait for me. Do not go searching into the night. Be good company to your mother. Listen and obey her while I am gone. Give her the love that is owed her, the love that I cannot give her. Ease the burden that swells in her breast, for I am coming soon!

A townful of vampires cannot be reasoned with by blasting open their gates. If I ignored their letters, they would track me to your door. I will not drag you into the middle of this. Not again. There are far too many to deal with, and unlike the vampires we've hunted, the Vangleys are skilled practitioners of war.

If trouble finds me, others in our company are ready to ride to Vissorouy at moment's notice.

But it cannot be you.

With love and tenderness,

—L.

Friday, February 12, 2016

Late Start

Things didn't go my way today, but I'm not going to make excuses. Enura is important enough for me to carve out the time--even in the dead of night--to expand its universe. Right now I'm in the process of looking through all of the content and figuring out what to do with it. Some things that I told myself I must do, such as writing about Vangley's nightmare, have already materialized. I suspect I will proceed in this fashion for a while, alternating between Enura, Vampire Hunters: Prelude and Vampire Hunters: Calamity to determine the scope of the task at hand. Eventually I will settle into Prelude, where the series begins, and work my way to the end.

An entire draft exists for Prelude, so it's only a matter of editing and expansion. It will likely arrive sooner than expected, but I'm not going to rush it. I'm pleased with the work done thus far. Part of it was published and subsequently unpublished (Episode 1: Snare). I really don't want to release the book in parts. That was a mistake. It really deserves a full release rather than serialization.

If anyone is curious about what I did, I will make it available again shortly. Once I get my Patreon account set up, I intend on giving a copy to all subscribers, along with the opening teaser of Enura and yesterday's On The Blood-Stained Shore of Dreams.

PATREON

Patreon deserves further discussion. Think of a book or series that you enjoy, and would like to see a sequel. Would it be worth it to you to wait years for the author to squeeze a release into their busy schedule (which includes a day job) or with a minimal donation (let's say $5/month) help them make writing a full time job, which would result in monthly releases? (And that's not taking into account the access that you would have to them, that before was unheard of.)

Crowd funding is a powerful way for the community to support an artist and tell them rather loudly (since money speaks the loudest) that they want more. In return, that artist can make their work available for free (such as on this blog) for all to enjoy.

At first I didn't think people would support such a venture, but now I find myself a Patreon of two individuals, one of whom is an artist I hope will illustrate my vampire novels.

By supporting an artist directly, you would likely get a significantly better release than previously possible. I plan to spend a good portion of my Patreon donations on illustrations and editing, both of which would be difficult out of pocket. Aside from getting the book out faster, you would get the best possible version. It's not such a bad deal, especially if you enjoy the content and can't wait to find out what happens next.

As for me, I'm not quite ready for Patreon yet. First, I need to get this blog in order, contribute to it regularly, and put the finishing touches on some forthcoming releases. Once I have something that people want, I'll make a push in that direction.

ON BONUS CONTENT

All of the bonus content generated for this site will eventually find its way into new releases, one way or another. I like to think of everything that I produce as a book. The more content I create, the more obvious the underlying form becomes. All of these blog posts will be compiled into The Making of Enura and gathered in one definitive edition. Will the enhanced release be available on Amazon? This is a point of much debate, but it certainly will be available to my Patreons and in my online store, which I'm in the early stages of putting together.

For me, bonus content makes a purchase worthwhile. Sometimes I find myself skipping ahead to read it before diving into the main course. I guess I can blame James Cameron for that. His special edition laserdiscs made for spectacular experiences in my home theatre. I loved the commentary, featurettes and behind the scenes footage. It gave me perspective on the enormity of the task, and what the crew was able to overcome. The extra 20-30 minutes of Aliens and The Abyss didn't hurt, either. What can I say? He spoiled me, and I want to to do the same for you--create the best experience possible.

I'm only working on one story right now: Enura. Everything else, including Vampire Hunters, is there to support it, and can be thought of as bonus content. If I do one thing right, it will be Enura. It gets the royal treatment.

THESE QUESTIONS...

Most of the new content that will find its place as bonus content comes from questions that I have about the story's origins. "What was Lord Vangley dreaming about?" was one of the first that crossed my mind. After typing up a 2,000-word short, which still needs a fair amount of editing, I feel that I have answered it to my satisfaction. With that question answered, I find myself intrigued by another: How did Enura acquire the dress that is worn in the third chapter of the story? Who did she get it from? And most importantly, who did she kill?

Questions like these may seem inconsequential to some writers. Why bother going into that level of detail? Some poor soul crossed her path, lost her dress and her life with it.

But it is in such details that the world comes alive and shines vibrantly. Yesterday I did not fully understand the dream that tormented an elder vampire. Today I do. What revelations will come from tracing the dress back to its original owner? How might the story be enhanced because of it?

Although I need to be careful not to go overboard with analysis, I've set up my tent and intend on staying a while. For now, no question is too small. I want to understand so that I can breath new life into Enura and make it everything that it should be. There's something special here. I can see it in its bones.

Thursday, February 11, 2016

Of Vampires and Dreams

© Mark Carrel
Do vampires dream? If so, what does it look like?

A character in my vampire thriller Enura has a nightmare on the blood-stained sands of a distant shore. To get in the head of Lord Vangley of Vissorouy, I realized that only so much could be known by summarizing his experience. To gain my own, I would have to enter his world and discover the macabre things that linger there.

The nightmares of vampires speak of fear, of lost ability to love or be saved. Everything bleeds all the time, an eternal wound that never fully heals.

The following is an excerpt from On The Blood-Stained Shore Of Dreams (Vangley’s Nightmare):
If the sky bled, it would look as so: a jagged streak extending from horizon to horizon against the pillowy, flesh-hued clouds that move gently, as if breathing.

I gaze into the crimson wound, my back against the sandy shore. Blood trickles out in waves, swept up by the wind, widening the gash to my delight. "Let me taste of you, oh beautiful. Spare a few drops for me," I whisper to it.

I lie there, my mouth open. Like all things, I am met with bitter disappointment. She does not sprinkle me with her essence, leaving me to die on the shore.

Yet how can any of this be? For I am a vampire, and the sun my scourge. Bathe too long in it, and the flesh, once strong and true, fizzles to ash.

Fleeting as they are, there are moments when a servant of the underworld may stand unscathed in the sun. My first venture into the light came during an eclipse. Short though it was; ten minutes, if I were lucky. But ten minutes can spill an ocean of blood. A small town decimated in that short passage of time, such as it was.

But this...this eternal bleeding of the heavens speaks of something else. My skin burns not, the sun neatly tucked away. Might it last a bit longer this time than those ten frightful minutes? Or could this be for all times?

The reign of the vampire will one day come, the mortals relegated to the shadows as it should be. Is today such a day? O blood red sky, answer me...

Wednesday, February 10, 2016

A Change of Approach

Build it right. That's what this is about--building a book, or in this case a series, the right way.

When I first started writing Enura in December 2009, I had a simple system. I'd write a short 500-word chapter, edit it the same day, and post it. For a while it worked, and I wound up publishing around 75 chapters in all. But the writing got tighter as I went along, and after completing large sections of the story, I knew there were things that I should go back and add.

But I was so focused on moving the story forward and getting every word as perfect as I could, that the process eventually broke down. The last chapter I worked on, chapter 76, was actually written by hand (which I transitioned away from years ago). There was a lot of description--far more than I was willing to deal with at that point--and so the chapter sat, half transcribed.

The project had simply gone on too long. I'd been writing for months, and although I'd made good progress, I was moving in quicksand towards the ending. I knew that a great battle lie ahead, and I was hardly excited about dealing with another complex action scene with loads of description. Like a boxer heading into the tenth round, I felt bruised, battered, and my punches were only so effective.

It was at that point I decided to stop, and it was the right decision. There was no point in screwing up all of the perfectly good work I'd done so far.

But I never expected to step away from it for so long. I played around with short stories for the next four years before finally making it back.

And that's far too long.

So what am I going to do differently this time? Good question.

First, I'm simply going to allow myself to write. I placed too much pressure on myself the first time around to write "the blockbuster" or "the best story that I am capable of." That resulted in early editing and a lot of critical voice to see the story to completion.

I'd also forgotten what got me there in the first place. Since I'm a panster at heart, or one who "writes by the seat of his pants," I allow my subconscious to write the story. I prefer to listen to the story coming out of me by tapping into my stream of consciousness. I'm kind of like a scribe taking dictation when I enter this state, and by limiting, or in some cases eliminating, the number of rewrites, I can simply focus on the story.

And that's what I want to do this time around.

I want to explore the world that I am writing about. I want to understand. I want to see all of the sights there are to be seen, and know the story intimately. I'm intent on using exploratory writing to deliver Vampire Hunters as well as Enura.

Should I be outlining? I suppose I could give it a try, but in my experience, it's the kiss of death. When I figure out a story, particularly how it ends, I lose interest in it. It's a sad thing to say, but it's the truth. Conversely, I find myself invigorated and intrigued when I don't know what I'm writing about. I can enter the world, explore for awhile, and then report back on what I've found. It makes every day far more interesting, if not fun.

And keeping the writing fun goes a long way to building a satisfying, productive career.

Before I stopped because I was no longer having fun. The grind was getting to me. I had simply done too much editing too soon. Everything was overanalyzed. Doubts began to spring up more and more every day. Instead of listening to the story, I began listening to my fears. Maybe it wasn't as good as I hoped for. Perhaps I should work on something else instead? (A classic diversion tactic that I am all too good at.)

I refuse to fall into that same trap again. Thankfully, I've refined my system where I don't do anymore than one rewrite, but even that is optional. Actually, I'm trying to get away from rewrites, but I find that they can be an effective tool for raising overall quality as well as filling in holes. Beyond that, I only intend on rereading it a maximum of three times before putting it aside. After a few days, I'll come back to it, do my final edits, and ready it for publication. (I largely self edit, but I do incorporate feedback from advance readers from time to time.)

That's the worse case scenario, and I no longer work in 500-word chunks. I've found that it's far more effective to write at least 2,000 - 3,000 words in one session. This prevents me from tightening up too much, which you can easily do with short pieces of text. Actually, I think it's inherent for writers to perform more editing than is wise for short chapters rather than long ones, simply because it's so easy. It's tempting to look at it "one more time" when you really should be putting it aside and moving on.

The act of writing longer alleviates many editing woes, and produces much more content, which is really what you and the reader are after.

Another major departure that I will be using is working in sequences (which I like to call "working in wholes"). While I was publishing a chapter per day before, I'll only be doing that for entire sequences or installments. One of the first things I will be working on is Vampire Hunters: Prelude, the beginning of the series, and will only begin publishing it once all 20+ chapters are done and in good shape. Enura will feature 20-30 short chapters per installment, though I do plan to publish the teaser in advance (the first five chapters).

While I don't believe in spending too much time on any one project, there's plenty to keep me busy in this world. I'm not content on merely referencing events that happened in a character's past. I want to write them. I want to be knowledgeable about them in ways that only can come through experience. Then, and only then, can I write "the best story that I am capable of."

I fully intend on writing side stories such as Red Wind and Carmella of Sidon and weaving them into the fabric of Enura. I want to understand. I want to explore. This is what makes the writing so exciting. If I'm not excited, I'll wind up like I did before, and I can't let that happen.

A fresh approach is just what the doctor ordered, and I can't wait to see what I come up with next.

That's the way writing should be, every single day. An adventure!

Tuesday, February 9, 2016

Poison Oak and Thorny Dreams

Last night I had a dream, a strange dream involving a conversation between myself and my mother. We were talking about writing as we often do, and I mentioned that I had an idea for a new story. "You'll love it," I promised her. But something was missing. I needed a period in time in which to set the story. Since Enura had already claimed the American Revolution for its setting, I knew that I would need to choose something else. The first thing that came to mind was The War of 1812--same enemy, different circumstances--so I went with it.

I proceeded to tell the tale to my mother right off the top of my head. (I'm a panster at heart, so outlining is optional.) The words were beautiful and poetic. I knew that I needed to write them down and innately sensed that I would have to break the spell of my dream in order to do so. Reluctantly I woke up, and promptly forgot what I had conjured.

For a moment I was frustrated, but I did not let it bring me down. I thought back to something, anything that I could remember, and a few words came back to me: There stood an oak...

While I was unable to write down the exact words from my dream (I'd rambled on for about a paragraph or so before waking), I was able to capture the spirit of the story. This continued back and forth over the course of an hour. I'd wake up, write down what I was thinking, go back to bed, and then think about something else. Finally I stayed up and finished it off.

It's ironic that this short work could be used as backstory for wickwood (enchanted trees) in my vampire thriller Enura. Obviously The War of 1812 happened approximately 35 years after the American Revolution, but such details can be changed. To document what I originally came up with, I left it as is.

Will it find its way into the lore of Enura? Who knows?

These dark dreams--What to do with them?...


© Mythja Photography
POISON OAK AND THORNY DREAMS

There stood an oak off Mulberry Road. Gray at its base, tentacles reaching towards the sky. At the end of bitter winters, which the county was apt to endure, children emerged from their snowbound strongholds to play on its mighty limbs, hoping to snag one of the many fruits that spawned from its branches.

Such a tree it was, the talk of town, that at one time shared the company of a president and his first lady on the humble Maryland backroad. Everyone wanted to partake of its sweet flesh that proved medicinal, a rare delicacy of the soul.

Like every age, as man is apt to err, of opportunity, debt and political suffering, war broke out. That same president's house burned down, as did much of Washington. For a time, the tree sat forgotten, along with its intriguing effect. There was little space, not even a dim corner for it in the politician's mind. Many had perished and needed to be laid to rest. The capital had been razed, many of its buildings burnt to the ground. Worse still, they did not occupy all of their proud land. The British now had a piece, and intended on wresting more away.

He no longer looked farther south to the tree that occasionally occupied his thoughts, and in time, wished he had. For an enemy troop wandered down Mulberry Road, intent on making the Americans pay for their newfound freedom. The families that had befriended the curious tree were rounded up, shot, and stabbed in the chest with the red coats' bloodthirsty bayonets.

While they watched the community burn, bodies scattered amidst the fire, the soldiers gathered under the shade of that same oak to catch their breath. Content they were at the suffering they had inflicted, and laughed amongst themselves. The cries in the distance were no more. They had taken every life on Mulberry Lane.

Save one.

When the soldiers spotted the fruit dangling from its branches, they smiled at their good fortune. The apples were large and ripe, and the sunlight seemed to play tricks on them--the shade an impossible blue.

All but one feasted in haste, the ashes of the deceased collecting in the branches above. Like the strange apples that had mysteriously fallen down on them, the red coats' numbers fell, too. "Poison..." a soldier cautioned the last remaining man before expiring.

The swiftness in which the afternoon had deteriorated sent the young man running. But he did not get far; the trusty oak made sure of it. With its long, wiry tendrils, it scooped him up. Without a mouth to communicate or snap off the man's head, it poked at him, not sure what to do.

Not all humans could be bad. The children who had warmed its limbs were proof of it. The new company had to have at least one in its ranks with a heart, much less a soul.

How wrong the oak was.

Somehow the soldier managed to load his gun and fire at the base of the tree.

Never before had the tree felt such pain, a deep wound that would take decades to heal. Unwilling to absorb another blow, one that might prove fatal, the magnificent oak tore the man asunder, and dumped his mangled body in the fires that stretched down Mulberry Lane.

Into the forest it receded, wounded by the touch of man and his devilish ways. Wandered for a while it did, far from his influence, so that nary an eye could be cast upon it. In turn, it surrounded itself with its own company, warning its brethren of what was to come when the humans found the poisoned oak once again, and the inevitable actions that must be taken.

Prologue

I need your help.

More specifically, I need your support.

I’m about to embark on something daunting—something far more difficult than I’ve ever done before. The road is ahead is long and full of pitfalls. Along the way, I will feel like giving up, perhaps even curse the day that I went down this path.

But I must.

The fulfillment of this dream makes it all worthwhile.

Stand with me. Push me. Help me see the path and the light at the end of it.

This series is massive. It’s going to take an otherworldly effort to get it done, but I can do it.

Wish me well, that is all I ask.